Yiddish Curiosities: a library of wonderful but forgotten Yiddish songs from the late 1920s and after (includes Polish Jewish Cabaret). Have a listen!

UPDATE:I've put this version on youtube with singable transliteration and translation.


Click the album cover to hear and/or buy the song from our Lebedik Yankel cd, with Randy Kloko singing the guy who just can't get a break no matter how many jobs he tries. (The picture is one of the few I could find of a YOUNG man in a shtetl: I figured the narrator must be relatively young since he isn't "lacking for girls"...)

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The song was sung in Kalmanovitsh's 1924 show 'Dem tatn's zundele' and Zylbercweig credits Peretz Sandler as lyricist. In the manuscripts of the Hebrew Actors' Union housed at YIVO, "Dem Tatns Zindale" is credited to lyricist Oscar Ostroff and composer Ilia Trilling. However, in the Library of Congress one finds the song copyrighted in 1928 by lyricist Morris Rund and composer Herman Wohl. Morris Rund registered a tremendous number of copyrights of Yiddish theater songs - did he actually write them or were his claims false? How can we ever know?

This song is only hard to find because of the weird ways the title is spelled. For instance, it was copyrighted in 1928 by (lyrics) Morris Rund (melody) Herman Wohl, spelled: "Asach meluches in weinig bruches" ...

... and a youtube video: Aaron Lebedeff's "A sach Meluches wenig Bruches"

But it appears on another Aaron Lebedeff (Lebediev, Lebedev, Lebedef) recording (available at Amazon for a buck!) as A Sach Meluches Veinig Bruches.

Until YIVO created a "standard Yiddish transliteration" there was no system, everybody spelled Yiddish in English differently -  many people still resent the standard system of approximating Yiddish sounds and refuse to use it.

The reason this matters is that search engines can't find references to Yiddish words phonetically, you have to guess what spelling the content generator used.

The song was sung in the show 'Dem tatn's zundele.' Some cite Peretz Sandler as having written the words though Morris Rund cited himself as lyricist in the copyright. Morris Rund has a tremendous number of copyrights of Yiddish theater songs - did he write them or merely claim them falsely? How can we ever know?

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Here's my translation:

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Labels: klezmer, making a living (poverty), modernity, songs for sale

UPDATE: Reposted to add a new youtube version of this song with text and translation:

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Now that I have my own copy of Heskes, I see that she references quite a few songs called "The New [name of some prayer]." I assume they follow the form of this one and the other I've posted, "Lo Lanu (Loy Lani)" - they start in the synagogue, assuming the audience knows the context of the prayer they cite, and then go on to put the concept into more secular situations.

In this case: singing a smidgen of Al Chet (the Yom Kippur prayer which lists our sins), each character in his/her own verse grudgingly admits wrongdoing and asks forgivenness (and a good year).

This one: copyright 1928, words by Morris Rund, music by Sholom Secunda. It's a strange tune. Aviva Enoch is playing piano, thanks, Aviva. Randy Kloko sings bass on the chorus.

There are three verses in Zhelonek; the Pesach Burstein version, from which I transcribed the melody, also has three verses, completely different. The first verse I sing is the second Zhelonek verse. Burstein's first is: "On Yom Kippur God forgives all Jews for their sins. We beg, with fear and terror, that the Creator will provide happiness, health and livelihood. For the sins we have committed before Thee... The old Reb Zishe prays to God: "Maybe I sinned before you because I looked at another woman."


Here's my Yiddish translation of the version I sang:

Labels: humor & satire, making a living (poverty), modernity, religion, songs for sale

UPDATE: Reposted to add a full-length youtube video I made with text and translation, because I hope other people will sing these songs!



You can buy it at bandcamp: Oy vey me shoklt zikh on "In Odess".

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This is another of those great songs which start out in the synagogue and leave by the back door. From Wikipedia:

Shuckling (also written as shokeling), from the Yiddish word meaning "to shake", is the ritual swaying of worshipers during Jewish prayer, usually forward and back but also from side to side. This practice can be traced back to at least the eighth century, and possibly as far back as Talmudic times. It is believed to increase concentration and emotional intensity. In Chassidic lore, shuckeling is seen as an expression of the soul's desire to abandon the body and reunite itself with its source, similar to a flame's shaking back and forth as if to free itself from the wick.

Boris Rosenthal wrote this song in 1923 and he called it Men Schokelt Sich but on his own recording it's spelled Mi Shokelt Sich. The lyrics are by Jacob Jacobs. The song was featured in the Joseph Rumshinsky operetta "Mazel Tov" but Zhelonek heard it in Nellie Casman's hit show "Der Khasndl."

Ken Bloom played guitar on this cut and gave it a nice French gypsy beat.

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My translation of the Yiddish text:

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Labels: battle between the sexes, fun, humor & satire, klezmer, love, songs for sale, vaudeville

I've been moaning for years about how Yiddish language performers keep singing the same songs (Tumbalalaika and Bay mir bistu sheyn being two of the most egregious examples) and wishing they would branch out a bit.

Just today when I was getting ready to put In a hoyz vu men veynt un men lakht on Instagram, I looked for my old recording on Youtube and found that classical Hila Baggio recorded it with the Jerusalem Quartet - in a very different style!

... and she has also recorded

• Ikh vel shoyn mer nit ganvenen
• Yosl un Sore Dvoshe
• Ikh ganve in der nakht
• Varshe

... all of which you can find on this site. Thank you, Hila, for giving these songs a new life and a new audience!

Poking through the Library of Congress Yiddish sheet music collection I found this one. It was published (and copyrighted) in 1922, and it says Abe Schwartz wrote the words and music, but it sure sounds like a folk song to me. Maybe he stole it, or maybe he wrote it in a folk style. I'm 72 now and my voice is shot but there is still music in me so I will still share it with whoever is interested. I did this in my living room with my concertina.

Ven ikh bin fuftsn yor alt gevorn

Ven ikh bin fuftsn yor alt gevorn
Geshtorbn iz mayn foter, dan oy dan
Far mayn mamen hob ikh keyn moyre gehat
Bin ikh gevorn nisht keyn fayner man
Far mayn mamen hob ikh nisht keyn moyre gehat
Bin ikh gevorn nisht keyn fayner man

Di ershte tsayt iz mir gevezn shlekht
Fir monatn iz dos gevezn shver, oy shver
Az Got vet helfn, az ikh vel af der fray aroys
Ganvenen vel ikh shoyn nisht mer
Az Got vet helfn, az ikh vel af der fray aroys
Keynem vel ikh shoyn nisht ton keyn shlekhts

Ven ikh bin tsvantsik yor alt gevorn
Hot mikh Fonye gemakht far eyn soldat, oy vey
Di dinst iz mir gevorn tsugegesn
Hob ikh mir a pleytele gemakht

Ven ikh bin keyn Amerike gekumen
Tsu der arbet hob ikh mir gegebn a nem
Ikh hob fargesn in ale mayne tsores
Yetst hob ikh shoyn do a guter shem

When I was 15 years old my father died
I didn't worry about my mother
I became a bad man

The first time things went badly for me
I did four hard months
If God helps me, if I get free
I won't do any more stealing
If God helps me, if I get free
I won't do anything bad to anybody again

When I was twenty years old the Russians made me a soldier
Serving in the army was tiresome so I ran away

When I came to America I took to [honest] work
I forgot all my troubles, now I have a good reputation here